The first half of this book was such a blast, and one of the best thriller / mystery / police procedurals I’ve read in a long time. I was powering through at a pretty quick pace, until about the half way mark when the story takes a severe left turn. I like to go into books pretty blind, so I wasn’t aware that there would be a connection to the Bill Hodges trilogy. King loves connecting his stories together, but unfortunately I found this took away from an otherwise stellar narrative.
The premise: a young boy is violently killed but the prime suspect, coach Terry Maitland, has an indisputable alibi. Multiple eye witnesses claim to have seen Terry near the scene of the crime and with the victim, but there is no way he can be responsible – a man can’t be in two places at once. Due to the horrific nature of the crime police are looking to make an arrest ASAP to ensure the public feels safe, and when the DNA comes back as a match they arrest Terry publicly, leaving tragedy behind for his family. As the story progressive it becomes more and more apparent that Terry can’t be responsible, but DNA doesn’t lie…
If you haven’t read the Bill Hodges trilogy and would like to, do not read The Outsider first. It’s a stand-alone book, but will spoil the series for those who haven’t read it. When the mystery seems impossible to solve, King brings back Holly Gibney from his trilogy (which I loved) – the anxious, quiet, yet shockingly astute partner who played a pivotal role in those books. This is also the point in the book that dives into the supernatural, which can go either way for me. I generally don’t like supernatural stories, but King often does it extremely well. It was good here, just not as good as the first half of the story.
I love Stephen King, and this was so close to being a home run! My review sounds a bit negative but I really enjoyed the book, even though it felt a bit disjointed. Fans of King will appreciate his dedication to continuing to surprise, even with so many stories under his belt.
What a journey! This was a a fantastic crime read that packed an emotional punch in its last few lines. If you enjoy police procedurals and are looking for a unique story, this is a must-read. For readers that want to try the genre and are uncomfortable with the vast amounts of graphic violence in most crime novels (not me), this will satisfy as well.
Jack, Joy, and Merry are waiting by the side of the road in their broken down car: their mother had gone to call for help and would be back soon. An hour passes, and the kids decide go searching for her, unaware that they would never see her again – she was found stabbed to death days later. Three years pass, and the kids are living alone in their family’s house having slipped through all the cracks in the system.
Jack, the eldest at 14, turns to burglary to take care of his sisters. When he thinks he discovers a key to his mother’s death, he takes an unconventional approach to get the police to re-open the investigation. Meanwhile, a pregnant lady named Catherine, experiences a home invasion while her husband is away for work. These two narratives play out simultaneously, seemingly unrelated. Their stories, however, will soon collide.
There were a few elements that didn’t work for me; a secondary character named Smooth Louis, for example. He’s a mentor to Jack / petty criminal who is obsessed with removing all hair from his body. He’s always shaving it away, but we have no idea why. It’s never explained and his character doesn’t go anywhere. I’m all for weird for the sake of weird, but it just didn’t make sense in this book. Secondly, Bauer likes to call everyone fat. I can’t tell you how many times in this book her characters are described as fat and disgusting – it was a bit much. I’m sure there are more creative ways to describe someone’s size.
I sort of wanted to give this book 4 stars, but it was so damn addictive that I have to give it 5. This was an incredibly interesting choice for the Man Booker longlist – it’a an excellent crime read and I’m curious as to why the judges decided to include this genre into the prize for 2018. Looking forward to reading more of the longlist next!
Look, this book isn’t going to win any awards for its quality of writing, but Find You in the Dark shines in plot. After reading countless thrillers that feel all too similar, it was refreshing to read one that had an entirely unique premise. This was a really fun read!
Martin Reese retired young after his tech company exploded, leaving him with both ample financial resources and plenty of time on his hands. He is a devoted husband and father, who happens to have a bit of a twisted obsession: he seeks out the bodies of murder victims from unsolved cases, uncovering them for the police to find. To carry out his compulsion he tells his wife, Ellen, that he’s going camping and uses his alone time to uncover bodies. Martin’s focus is on the victims of a long captured serial killer, Jason Shurn, and he gets his intel from a cop who sells him case files on the sly.
Before long, a past family tragedy takes centre stage, reaching a breaking point when his daughter disappears. Shurn may not have acted alone, and Martin has enraged someone by uncovering victims from the past. Martin will have to succumb to an internal darkness to save his family and get his daughter back.
I’ve heard this book compared to Dexter, but I have a hard time seeing that. Unlike Dexter Martin isn’t a killer. He’s simply a man who has taken an interest in true crime to the next level, albeit a twisted one. The book is a little long and though it drags a little, I was compelled to keep reading. Side note – Nathan Ripley is a pseudonym for Naben Ruthnum, an Indian writer from Canada. He’s said he used the new monicker because of the expectations that come with having an ethnic sounding name. I must say, I wish he used his real name! Shatter the expectations! OK, back to business – 3 stars, because it was hard to put down.