From the publisher:
Enid, long-time matriarch of the Lambert family, sets her heart on an elusive goal: bringing her family together for one last Christmas at home.
Published to universal acclaim, Jonathan Franzen’s novel about a post-modern family breaking down in late-twentieth-century America is a comic, tragic masterpiece. Richly realistic, darkly hilarious, and deeply human, The Corrections has been a fixture on bestseller lists since its debut and was one of the most talked-about books of the year.
Finally, after way too long, I have read Franzen. Yes, this was my first. I’m not sure what my expectations were going into this book, but I must say I really liked it. I think I was prepared to hate it purely based on Franzen’s reputation for being, you know, a pretentious asshole. I love confident, bold writers, but cannot stand it if there is no merit behind the big personality. Thankfully, I was able to connect with it and understand his appeal.
This is the story of a family, the Lamberts. Enid and Alfred, the matriarch and patriarch, are living together in a way that many couples live together after a lifetime – as roommates. Enid longs for Alfred’s touch and attention, while Alfred grows increasingly irritable and senile. Alfred has always been moody and distant with his family, while Enid fantasizes about romance and the ideal family. Enid wants, more than anything, to have one more Christmas celebration in their hometown of St. Jude. This means attempting to rally her three children, Gary, Chip, and Denise, together for the event. This sort of sounds like the setup for a fun holiday movie, but I can assure you that is not what this is.
I’m finding this review difficult to write – there’s a lot going on with this book, but there’s also not a lot going on – which I realize makes no sense. There’s action and advancement of the story line, but this is heavily character driven. Franzen shines with his characters. He has created a cast of flawed people with messy lives that many will hate, but I found myself relating to each member of this family for different reasons. Enid’s desire for love and family, Alfred’s internal space and need for privacy, Gary’s depression and the pressures of family life and responsibility, Denise’s search for identity, and Chip’s hunt for success. Some of the moments that hit me the hardest in this book are so quiet and unassuming that they can easily be missed. For example, a family meal that no one is enjoying only to be topped off with a desert of pineapple, igniting Alfred to become angry with Enid. It’s not a loud moment, but it also is. If that makes sense.
There’s a lot of unpack with this book, and a lot more going on than I will touch on here: economic crisis, sexuality, depression and mental illness, elder care, and so much more. Readers who enjoy beefy books that call for analysis will likely be at home with the Corrections.