In a time when political views are extremely divided, Sharon Bala’s The Boat People portrays a unique set of views regarding the immigrant experience. The vast number refugees coming into Canada are simply seeking a safe life for their families, but how do we separate those who will become contributing citizens from those with other motives? Bala seeks to answer this question, as well as shed light on a process that feels more criminal than hopeful.
Mahindin and his six year old son, Sillian, flee the civil war in Sri Lanka, setting out on a boat with about 500 other people seeking refuge in Canada. When their boat arrives in British Columbia, the refugee’s hope is quickly destroyed. Rather than starting their new lives, they are detained, questioned, and subject to a legal battle that will determine if they can stay or if they will be deported. Mahindan is separated from Sillian during the process, and fears that his past political associations will come to light, destroying their chances for life in Canada.
Inspired by actual events from 2009, Bala is effective in her portrayal of the immigration process from all sides. The story is told not only from Mahindan’s perspective, but also from Priya, a young lawyer appointed to defend Mahindan, and Grace, an adjudicator who will ultimately determine his fate. As pressure mounts, questions arise about the Liberation Tigers of Tamil Eelam (LTTE), why Mahindan was in a Tiger controlled area, and whether he has terrorist affiliations. Bala also touches on the smugglers and crime that goes along with moving people in desperate times.
This is such such an important story to tell, especially in our current political climate. The story surrounding Mahindan, Sillian, and their history was a joy to read. However, I was never able to fully invest myself in Priya’s or Grace’s stories – they were interesting, but didn’t feel necessary. Their stories made the book unnecessarily long, leaving me zoned out at times. This was a solid read, and a valuable addition to the Canada Reads contender list.
Let me start by saying that I enjoyed this book way more than I expected to – I don’t read YA too often, and am often disappointed by dystopian stories. Cherie Dimaline takes a unique approach to the genre, blending familiar themes with unfamiliar territory. In her futuristic world, First Nations people are being hunted for their bone marrow, the place where dreams reside. The Marrow Thieves challenges readers to think about the history and injustices of Indigenous people in Canada.
Frenchie is on the run. Recruiters are searching for Indigenous people with plans to capture them and harvest their bone marrow as a solution for those unable to dream. He soon joins forces with other Indigenous people on the run; elders, youths, and a girl named Rose. The group traverses the woods, searching for food and shelter, dodging the recruiters, and seeking lost loved ones.
This book is dark. It’s about the loss of culture, colonialism, residential schools, cultural appropriation, and survival. Frenchie is forced into acts he never though himself possible of, changing how he views himself and the situation he is in. There are some beautiful moments as well – such as Rose’s excitement upon smelling sweetgrass, and unexpected reunions that we weren’t sure would occur. The ending doesn’t feel complete, which leads me to believe there could be a follow up in the works that I would gladly pick up. This would be a fantastic book for Canadian classrooms! Once again, Canada Reads has brought a book to my attention that I would have otherwise looked over.
I struggled to get through this book – it’s dark and heavy, but something didn’t quite click for me. Omar El Akkad imagines an America of the future; sides are strongly divided and a second civil war breaks out.
Sarat is our central character and force driving the narrative – I wanted to know what would happen with her, so I kept reading. She is six years old in 2074 when the war begins; it’s not long before tragedy strikes her family, leaving them displaced. They end up in a refugee camp where Sarat meets an older man who guides her in unexpected ways . In El Akkad’s future, innocence disappears quickly and people become instruments of war. War crimes are punished through torture, and humanity is lost.
The focus here is on the ways war shapes people. If not for the war, Sarat’s life, and who she ultimately becomes, would be entirely different. It’s heartbreaking to partake in Sarat’s transformation from an innocent child, to a woman of war, to a woman seeking revenge. El Akkad is making a bold statement and offering a warning with this book – the Red (South) and Blue (North) are deeply divided, mirroring modern America: a country this polarized will eventually break. Something must give. This is a dystopian story, but one that doesn’t feel impossible.
I am the most miserable man alive, and more so because no one at this dinner table has the slightest notion of what is tearing me up. And yet, what if each of us at this very table were a monsoon-ravaged island trying to look its best, with all of our coconut trees bending to the winds till hopelessness breaks their backs and you can hear each one crash and all their mealy, hardheaded coconuts pelt the ground, and still we’ll keep our spirited good cheer and add a lilting sprint to our gait on the way to the office every morning, because we’re waiting for someone’s voice to tear us out of our bleak and blistered lives and say, Follow me, Brother. Follow me, Sister.
After obsessing over Call Me By Your Name, I knew I would be picking up another Aciman book soon. Enigma Variations proved to be the perfect quell to the emptiness I felt after finishing CMBYN, offering a similar narration style and themes. Aciman is an absolute master of internal dialogue; the ache and agony of desire jump out of the pages as we follow Paul from adolescence to adulthood through five uniquely connected vignettes.
We first meet Paul at twelve years old, infatuated with the town cabinetmaker. Next comes Claire; Paul is consumed with the idea that she is cheating on him. Then, a tennis partner named Manfred – a love that takes years to come to light. We meet his college girlfriend who he reunites with every four years, but only for a few days each time. Finally, a girl much younger than himself. Through all of these relationships, Paul searches for…something more. Fireworks? Contentment? Partnership? He is passionate in the chase, but seldom relieved by reciprocation.
Aciman’s prose builds tension; the yearning his characters feel is palpable, and he often provides satisfactory release. A touch that finally happens, or the right words at the right time, with the right person ready to receive them. Much of this book takes place in Paul’s head; his thoughts, obsessions, fears, and desires are laid bare. Aciman writes candidly about all facets of love: diffidence is love, fear itself is love, even the scorn you feel is love. Aciman brings a fresh and realistic approach to stories of this nature, resulting in a wholly unique reading experience.
On the surface, this is a book about injustice, loyalty, and the ways in which we love. Dig a little deeper and you’ll find social commentary on what it means to be black in America. Without giving anything away, a young couple who seems to have it all is forcefully reminded that regardless of hard work and determination, they will not live the American dream.
Celeste and Roy are a young married couple, busy planning their lives and grappling with the decision of when, or if, to have children. Celeste is a successful artist and doll maker, and it’s easy to sense that Roy is on the brink of something great as an entrepreneur. One fateful evening will change the course of their lives for the next five years, leaving Celeste and Roy to untangle a mess and decide if love is enough to keep their marriage intact.
Jones’ writing is conversational and easy to digest; she pulls you into the story and is brutally honest in her message. There are a few strange elements at play here, such as Celeste’s dolls, or poupées, which often happen to resemble Roy in some way. I felt somewhat disconnected from the characters who are all deeply flawed; I often went back and forth with who I felt was right and just given the circumstances. That said, this is an engrossing read and I can certainly understand its popularity. This is the sort of book that plays out visually in your head – in fact, it would make a great movie. I wavered a lot with where to place my rating – sections of this book are five star worthy, but some areas felt like three stars – four seems like a good place to settle.
I’ve been reading a lot of books that are incredibly heavy in content as of late, and it was time for a thriller to mix things up – my version of lightening the mood. A.J. Finn’s The Woman in the Window was the perfect book to get me into a different head space. I feel like I understand the place that Finn was coming from in writing an agoraphobic character, and after learning about his life experience it’s easy to see that there is a lot of himself in the book, which I love.
Anna, once a successful child psychologist, is agoraphobic – she cannot leave her apartment. A tragic event is alluded to, but we don’t learn the heartbreaking truth until much later on. Living alone, Anna relies on grocery delivery to take care of her necessities. Anna also relies on her red wine delivery, clearly a little too much. Anna spends time exploring the world through the lens of her camera – her window is her access to an outside she cannot bear to face. When a new family moves in across the street, Anna watches them through her window and soon witnesses a horrific act of violence, forcing her out of her apartment. Anna desperately pleas for the police to investigate the crime, but between her agoraphobia and the wine bottles strewn about her apartment, they police are quick to dismiss her story.
This was a fun and absorbing thriller, but something didn’t fully click for me. I think it just felt sort of familiar – like this has all been done before, many times over. This book certainly follows the Gone Girl trend – lots of twists and turns with an unreliable female narrator. I wish Finn didn’t make Anna a borderline alcoholic – though she suffered tragedy, her agoraphobia would have sufficed as her coping mechanism. Was the alcoholism added in to have the reader question her mental state? I just didn’t see the point. Either way, I had a lot of fun with this book and know it will make a great movie. Finn is a unique guy and I can tell he put a lot of heart into this one, I will certainly pick up his next book. This was about a 3.5 star read for me, but I rounded up 🙂