Look, this book isn’t going to win any awards for its quality of writing, but Find You in the Dark shines in plot. After reading countless thrillers that feel all too similar, it was refreshing to read one that had an entirely unique premise. This was a really fun read!
Martin Reese retired young after his tech company exploded, leaving him with both ample financial resources and plenty of time on his hands. He is a devoted husband and father, who happens to have a bit of a twisted obsession: he seeks out the bodies of murder victims from unsolved cases, uncovering them for the police to find. To carry out his compulsion he tells his wife, Ellen, that he’s going camping and uses his alone time to uncover bodies. Martin’s focus is on the victims of a long captured serial killer, Jason Shurn, and he gets his intel from a cop who sells him case files on the sly.
Before long, a past family tragedy takes centre stage, reaching a breaking point when his daughter disappears. Shurn may not have acted alone, and Martin has enraged someone by uncovering victims from the past. Martin will have to succumb to an internal darkness to save his family and get his daughter back.
I’ve heard this book compared to Dexter, but I have a hard time seeing that. Unlike Dexter Martin isn’t a killer. He’s simply a man who has taken an interest in true crime to the next level, albeit a twisted one. The book is a little long and though it drags a little, I was compelled to keep reading. Side note – Nathan Ripley is a pseudonym for Naben Ruthnum, an Indian writer from Canada. He’s said he used the new monicker because of the expectations that come with having an ethnic sounding name. I must say, I wish he used his real name! Shatter the expectations! OK, back to business – 3 stars, because it was hard to put down.
I prayed forgiveness…for God to pluck me out like a coal from the fire… But Brothers, Sisters: What if that’s the wrong prayer? What if the right prayer is ‘Let me burn, only walk beside me in the flames’?.
Wow, that was intense. I’m not generally interested in books about religion, but Fire Sermon flipped the genre on its head, challenging the confines that keep devout followers trapped in unhappy circumstances.
Maggie, raised Christian, is married, contently. She has two kids, a boy and a girl, who are getting older and heading off into ventures of their own. Her husband, Thomas, is kind and attentive, though admittedly atheist. Maggie reaches out to James, a poet she admires, and the pair soon begin conversing regularly. Before long, Maggie and James are in the throws of a passionate, illicit affair. James provides Maggie with what she didn’t know she was missing; he encourages her to write and share her own poetry, and offers spiritually and intellectually satisfying theological debate. Though devoted to Thomas, Maggie struggles with her desires, and what she will lose if she continues in her affair with James.
You will watch the fire consume everything you care about. You will be left with ash – the proper and only end of any burning.
This book is as much about spirituality and monogamy as it is about the nature of female desire. In less capable hands, I don’t think this story would have been so effecting, but Jamie Quatro is a phenomenal writer. Her prose is haunting and poetic, resulting in a book that asks complex questions, without surmising a moral standpoint.
We all been through a lot we don’t understand in a world made to either break us or make us so hard we can’t break even when it’s what we need most to do.
If this is Tommy Orange’s debut, I can’t wait to see what he does next. There There is a portrait of the “urban Indian”, and how racism, colonialism, and a painful history have contributed to modern day challenges. I’ve read many books by Aboriginal writers from Canada, but this is my first from the American perspective.
Told through twelve unique voices, There There follows each character as they travel to the Big Oakland Powwow. Each has heir own reason for going to the powwow: to connect to their culture, to reunite with family, to create art out of pain, and to bravely debut newfound talents. The stories of Dene, Jacquie, Blue, Opal, Orvil and more will ultimately clash in a violent denouement that is difficult to read. This is a commentary on gun violence in America as well.
We’ve read this sort of narrative before; multiple storylines cumulating in an epic event. However, Orange brings a passion for his culture to the table, making this a powerful read that resonates. His passages about traditional dance are some of the most beautiful I’ve ever read, so I’ll leave you with this moment in which Orvil, backstage, dressed in his regalia before his first public dance at the powwow, finds himself in his culture:
Orvil looks around the room, and he see all these men dressed up like him…There’s something like the shaking feathers he felt somewhere between his heart and his stomach…To cry is to waste the feeling. He needs to dance with it.
This book was everything I wanted out of You – a biting satire that is equal parts creepy and funny. Kepnes hits the nail on the head with this one, though I will say that I went into her work expecting to be truly terrified. I guess I just had the wrong perception, as her work is much more comedic than it is scary.
In Hidden Bodies Joe is back but this time he’s in Los Angeles. Joe holds a grudge, and after being played the fool in his last relationship he heads to LA to settle the score the only way he knows how. When in LA, Joe hobnobs with actors and others trying to make it in Hollywood, blending in surprisingly well. He’s good looking and great with people, and soon finds himself in a new and meaningful relationship with a woman named Love. But Joe can’t help looking backwards, obsessing over a critical error he made in one of his last crimes, wondering when it will all catch up with him. Combine that with Love’s destructive twin brother, a cop who won’t back down, an ultimate desire for success, and the stage is set for a perfect storm.
There are some genuinely laugh-out-loud moments in this book as Kepnes digs into the absurdity that is celebrity life in LA. There is an element missing that would take this story to the next level; I don’t like Joe – he’s arrogant, pretentious, and overly confident. That said, this is an endlessly entertaining read that I moved through quickly. I think if I liked his character I’d be more into these books. I’ll definitely continue to check out Kepnes’ work – she has a new book out now.
*I received a digital advanced review copy from Simon and Schuster via NetGalley in exchange for an honest review.
Release date: August 7, 2018
No writer confounds and surprises like Ian Reid. His books keep you guessing and on the edge of your seat. This book is particularly bizarre, but I read I’m Thinking of Ending Things very recently, so I knew what to expect: philosophical debate disguised by an eerie story in which all is not as it seems.
Junior and Hen have a quiet, rural life together. They work hard, feed the chickens, and enjoy their evenings together. One day, a man named Terrance appears at the farm with a strange announcement – Junior has been long-listed for a potential trip away from Hen via a research project called OuterMore. Terrance leaves, but says he’ll be seeing them again soon. A year or so later, Terrance returns with the news that Junior has been officially selected and will be leaving for the OuterMore project for an unknown amount of time. Terrance moves in with them to prepare and research for the trip. And that’s about all I can say.
Books like this are meant for going in blind -learn as little as you can before diving in, and then enjoy the ride. Reid is asking some big and often contemplated questions here – how well can you truly know another person? How well can you truly know yourself? Where is technology leading us, and is all advancement positive? What is the essence of lasting relationships? What is up with the horned rhinoceros beetle?! Ok, this last one may be one of my lingering questions…
I have to admit that I caught on to the big twist long before it’s reveal, though I wasn’t expecting the second twist right at the end. I don’t want to spoil this book for anyone, but know that Reid not only carefully crafts his words, but makes subtle stylistic choices that can be revealing. This is for those who enjoy thinking about a book long after it ends, and who are comfortable with an artistic storyline. This book doesn’t wrap up nicely at all, in fact the ending is completely open for continuation. My only criticism of this book is that it could have been longer, gone deeper, explored further. I can’t rate this as high as ITOET, as it doesn’t pack quite the gut wrenching, emotional punch that his first novel did. Reid may very well be one of my favorite new (and Canadian!) authors.
In a time when political views are extremely divided, Sharon Bala’s The Boat People portrays a unique set of views regarding the immigrant experience. The vast number refugees coming into Canada are simply seeking a safe life for their families, but how do we separate those who will become contributing citizens from those with other motives? Bala seeks to answer this question, as well as shed light on a process that feels more criminal than hopeful.
Mahindin and his six year old son, Sillian, flee the civil war in Sri Lanka, setting out on a boat with about 500 other people seeking refuge in Canada. When their boat arrives in British Columbia, the refugee’s hope is quickly destroyed. Rather than starting their new lives, they are detained, questioned, and subject to a legal battle that will determine if they can stay or if they will be deported. Mahindan is separated from Sillian during the process, and fears that his past political associations will come to light, destroying their chances for life in Canada.
Inspired by actual events from 2009, Bala is effective in her portrayal of the immigration process from all sides. The story is told not only from Mahindan’s perspective, but also from Priya, a young lawyer appointed to defend Mahindan, and Grace, an adjudicator who will ultimately determine his fate. As pressure mounts, questions arise about the Liberation Tigers of Tamil Eelam (LTTE), why Mahindan was in a Tiger controlled area, and whether he has terrorist affiliations. Bala also touches on the smugglers and crime that goes along with moving people in desperate times.
This is such such an important story to tell, especially in our current political climate. The story surrounding Mahindan, Sillian, and their history was a joy to read. However, I was never able to fully invest myself in Priya’s or Grace’s stories – they were interesting, but didn’t feel necessary. Their stories made the book unnecessarily long, leaving me zoned out at times. This was a solid read, and a valuable addition to the Canada Reads contender list.
I’ve been reading a lot of books that are incredibly heavy in content as of late, and it was time for a thriller to mix things up – my version of lightening the mood. A.J. Finn’s The Woman in the Window was the perfect book to get me into a different head space. I feel like I understand the place that Finn was coming from in writing an agoraphobic character, and after learning about his life experience it’s easy to see that there is a lot of himself in the book, which I love.
Anna, once a successful child psychologist, is agoraphobic – she cannot leave her apartment. A tragic event is alluded to, but we don’t learn the heartbreaking truth until much later on. Living alone, Anna relies on grocery delivery to take care of her necessities. Anna also relies on her red wine delivery, clearly a little too much. Anna spends time exploring the world through the lens of her camera – her window is her access to an outside she cannot bear to face. When a new family moves in across the street, Anna watches them through her window and soon witnesses a horrific act of violence, forcing her out of her apartment. Anna desperately pleas for the police to investigate the crime, but between her agoraphobia and the wine bottles strewn about her apartment, they police are quick to dismiss her story.
This was a fun and absorbing thriller, but something didn’t fully click for me. I think it just felt sort of familiar – like this has all been done before, many times over. This book certainly follows the Gone Girl trend – lots of twists and turns with an unreliable female narrator. I wish Finn didn’t make Anna a borderline alcoholic – though she suffered tragedy, her agoraphobia would have sufficed as her coping mechanism. Was the alcoholism added in to have the reader question her mental state? I just didn’t see the point. Either way, I had a lot of fun with this book and know it will make a great movie. Finn is a unique guy and I can tell he put a lot of heart into this one, I will certainly pick up his next book. This was about a 3.5 star read for me, but I rounded up 🙂