This book is stunning. It’s challenging, disturbing, and will make you uncomfortable. Bryn Greenwood creates a relationship that by all practical accounts will make your stomach turn, and flips the table so drastically that you will question everything you know to be right and moral. I found myself struggling with some of the scenes, but also found myself justifying so much of it. I had to ask myself, what defines love?
It’s 1975 and Wavy is a little girl at 5 years old. Her parents are addicted to drugs, and she is living with her aunt Brenda and her cousins. As a result of her trauma, Wavy doesn’t speak, leaving everyone to think she’s mentally challenged. Wavy eventually goes on to live with her he grandmother, and finally ends up back with her mother.
Living with her mother, Wavy takes care of herself and her younger brother, Donal, cleaning and preparing food. A few years have passed and she is 8 years old when a chance encounter with 19 year old Kellen occurs. Kellen, a criminal who works for Wavy’s father, crashes his motorcycle by her house, and Wavy rushes out to see if he is OK. There is clearly a connection between the two, and after her becomes aware of Wavy’s living situation, Kellen steps in to help. Kellen cleans the house, buys food for Wavy and Donal, and begins to pay for Wavy’s school fees. Over time, Wavy begins to trust Kellen, and the two become inseparable.
As the years pass, Wavy and Kellen’s relationship evolves from something innocent to something more – there are many moments that gave me pause. Their connection, however, is something hard to define, something more than love. Is Kellen a pedophile? Is he taking advantage of Wavy in her disadvantaged situation? There is no sexual attraction between Wavy and Kellen initially. Kellen states “that’s not the only thing love means. You just got your mind in the gutter”.
Told from multiple points of view, we gain other character’s perspectives on their relationship. Naturally, many characters are horrified by their bond and work to keep them apart. Greenwood herself is the ” daughter of a mostly reformed drug dealer”, and has stated that this book was partially inspired by her relationship with an older man when she was 13 years old. Greenwood has created a world in which this relationship feels right, regardless of how inappropriate much of it is. As a mother and a fierce protector of children, I’m blown away by her feat. Only a skilled writer can craft a story like this and have you rooting for the couple. I’m looking forward to more from Greenwood, and may have to check out her backlist.