From the publisher:
In this electrifying tale of suspense from an international crime-writing sensation, a grisly death exposes the dark heart of a Scandinavian seaside village. Erica Falck returns to her tiny, remote hometown of Fjällbacka, Sweden, after her parents’ deaths only to encounter another tragedy: the suicide of her childhood best friend, Alex. It’s Erica herself who finds Alex’s body—suspended in a bathtub of frozen water, her wrists slashed. Erica is bewildered: Why would a beautiful woman who had it all take her own life? Teaming up with police detective Patrik Hedström, Erica begins to uncover shocking events from Alex’s childhood. As one horrifying fact after another comes to light, Erica and Patrik’s curiosity gives way to obsession—and their flirtation grows into uncontrollable attraction. But it’s not long before one thing becomes very clear: a deadly secret is at stake, and there’s someone out there who will do anything—even commit murder—to protect it.
I was so excited to jump into my first Camilla Läckberg! I love Nordic Noir and crime fiction, and couldn’t wait to dive in.
Eric Falc, a writer who has returned to her home town of Fjällbacka, finds the body of a childhood friend who has committed suicide. She has trouble understanding why someone who is beautiful, successful, and with a husband who loves her dearly would come to such an end. She begins working with detective Patrik Hedström to uncover the details of her death. Along the way more death occurs, terrible secrets are revealed, and the truth uncovered is unexpected and disturbing. Oh, and there’s a love connection between Erica and Patrik.
This was a nice escapist read with a few interesting characters, and I will be continuing with the next in the series, The Preacher. This certainly wasn’t an amazing literary work, or the best crime fiction book that I have read, but I am intrigued enough to carry on! I believe this was Läckberg’s first book after a drastic career change, and there are some passages that give the reader insight into her style as a crime writer:
The material was increasingly taking on the form of a crime novel, a genre to which she’d never felt particularly attracted. It was people – their relationships and psychological motivations – that she was interested in; she thought that was something most crime novels had to give up in favor of bloody murders and cold shivers running down the spine. She hated all the cliches they used; she wanted to write about something genuine. Something that attempted to describe why someone could commit the worst of all sins – to take the life of another human being.
There was a side story about Erica’s sister and her abusive husband that didn’t wrap up at all – I really hope that there is more about this in the next book. That said, there were just enough twists to keep this interesting, and I look forward to seeing Läckberg’s voice develop in the next installment.