Release Date: September 5, 2017
*I received a digital advanced reader copy of this book from the publisher in exchange for an honest review.
From the publisher:
A searing and profound Southern odyssey by National Book Award–winner Jesmyn Ward.
In Jesmyn Ward’s first novel since her National Book Award–winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi’s past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers.
Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie’s children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise.
Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward’s distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature.
Sing, Unburied, Sing presents a way of life that will be unfamiliar to many of its readers. A life in which addiction rules and heartbreak abounds. Jesmyn Ward presents themes and ideas, however, that are as relevant today as they ever have been; racism, injustices in the prison system, police treatment of minorities, and how the past shapes the present. This is the story of a family living in poverty along the Gulf Coast of Mississippi.
Through multiple perspectives, Ward tells us the story of Jojo and his toddler sister Kayla who are being raised by their grandparents, Mam and Pop. Jojo’s mother, Leoni, is often absent and frequently high. When Leoni gets a call that Michael, Jojo and Kayla’s father, is going to be released from prison, she packs the kids up and head’s out onto the road to pick him up on his release day. Jojo, who has just turned 13, is less than excited to be reacquainted with the stranger that is his father.
Leoni is haunted by visions of her deceased brother, and Jojo is haunted by a young boy Pop knew in his youth during his time in prison. Ward carries these figures elegantly throughout the story, and they become central to Leoni and Jojo’s fates. Ward doesn’t hold back in her depiction of prison as slavery, and this storyline comes to a truly heart wrenching and tragic end. This book is wrought with pain and sadness, and I know I will be thinking about Jojo for a while.
This was my first time reading Jesmyn Ward, and I certainly understand her success. She has keen insights and a strong voice, and I am looking forward to reading her backlist.